Emulating Ray (part two)

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Combining Softness and Power

It’s my observation that lots of Western riders can get their horses soft, while lots of English riders can get their horses moving with power.  The real art is combining softness and power.  My best dressage lessons were made possible by Ray Hunt. 

With a simplicity that belies its complexity, Ray’s horsemanship class was always a challenge for me.   Over and over, walking, trotting, circles, half circles, back to walking, stopping, moving the hind around the front, the front around the hind, backing, more walking,  it wasn’t unusual to hear clinic riders complain, “When do we get to do the advanced stuff?”  Ray ignored this complaint and kept offering his best advice on how to ride a horse “with quality.”   Thank God, Ray stuck with his best advice.   It took me years of riding  and listening to Ray teach the same thing, over and over, before some of it began to make sense.  Ray taught principles of riding with quality, not “how to.”   He’d look a rider in the eye and say, “Think!”    This combination of exercises and the encouragement to explore and think for myself, made working with Ray invaluable to me.  Because I couldn’t ride with Ray every day.  But I could take his advice home (all those exercises done over and over) and think about what they meant to the horse.   

One exercise which could make a grown rider cry was walking in a circle around Ray counting cadence, with the horse’s feet (both front and hind).   Its easy to count cadence with the horse’s front feet.  (The feet the rider can see.)  Feeling the hind feet is a different story.    Because I admire how much Ray could do with his horses, I kept thinking, some day I’ll get this… some day counting cadence will mean more to me.    Today, it means more than I can say.  

What does this have to do with dressage?     

Dressage riders are constantly intoning, “Ride the horse from the back to the front.”   This is the way dressage riders should ride.  But, rarely do they explain this to the horse.   Many (if not most) dressage riders are instructed to restrain the horse with pressure on the bit and then drive the horse forward with their legs.  This is a recipe for failure.  Horses become frustrated and heavy.  Riders become frustrated with the lack of results (and often blame the lack of talent on their horse).   A vicious circle ensues.   The rider asks more and gets less.   Horses often dutifully comply, while they look miserable.  Since riding the back to the front is the right idea, what’s missing?

Counting Cadence (getting in time with the horse’s feet).

Anxious to do right by my horses, for years, I kept working on and thinking about Ray counting cadence with his horse’s feet.   The first thing I noticed was that counting cadence with the hind feet made an obvious difference in my ability to extend the horse’s walk.   If I timed my request for a longer stride, when the horse’s hind foot was on the ground, my horses would drive forward with enthusiasm.   Without even knowing all the implications, a large chunk of dressage (and more) fell into place for me.    By counting cadence, the horse can be both powerful and soft.

Here’s another video.  This is a green (five year old!) horse working on lengthening her trot.     I’m counting cadence with the hind feet (gaining power), while asking the horse to remain soft.  I’m not asking Desi to give me everything, today.  I just want her to try to lengthen her trot stride a few steps and try she does.    She’s soft, relaxed and responsive.  I’m happy, because she is happy, too.

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Emulating Ray Hunt

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Ray Hunt had a profound impact on my riding.  In spite of the fact, I’m keenly interested in dressage and Ray was a Western Ranch sort of fella, Ray helped me enormously.   Without Ray, dressage wouldn’t make any sense to me.  Ray could say something that would stick in my mind like glue.  I’d try to figure it out, which usually took me years.    During clinics, Ray would tell riders what to do.   ”Walk, trot a half circle and come out the other direction…walk.”  This barrage of orders could come quickly.  Keeping up was a challenge.   About the time I’d get my horse to walk, Ray would say, “Trot…”  I’d hustle my horse to trot, only to hear Ray say, “…one step.”  That baffled and frustrated me.  But overtime, even as I struggled to “trot one step,” I discovered how useful it can be.   Among many things, learning to trot one step, develops feel in the rider.  It also develops responsiveness in the horse, creating a forward attitude that also waits on the rider.   That has enormous value in dressage, making many other things easier.

Here’s a short video update on Jemima, who appeared in the previous video (2010).    Since I’ve been invited as a student of Ray’s to make a presentation at the Legacy of Legends event (Las Vegas, February 2012), I’ll post this as an intro/preview of what I hope to share about Ray and what he taught me about dressage.

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Buck’s clinic at Staley Homestead

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UPDATE:

Buck is changing to an alternating schedule.  Buck will return to Staley Homestead in 2013.  For 2012, Buck will be in Bozeman, Montana (Double Diamond Halters, sponsor).  

2011

Buck will be teaching at Staley Homestead, August 5-8, 2011.  For more information, registration forms, map and more, see the page “Buck’s clinic at Staley Homestead” (link on right).  Spectators are welcome.  To be on a mailing list, send your information to: mail@bettystaley.com

Dressage Test Run Through

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Riding dressage tests is a fascinating personal challenge.  There’s a competitor in my soul, even if I’m only competing against myself.   My little spitfire Jemima (Han/TB/Arab cross) is not ideal for competition.  Compared to the typical enormous cruise-mobile warmbloods, Jemima’s a compact sports car.  However, at 15-3 hands, her narrow build is easy on my fickle left hip (old injury) and I still enjoy riding dressage tests, even when it’s only to test my own skill and development.   Here’s Jemima’s first run through of First level, test four.

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The mistakes are all mine.   On the video, it’s obvious that Jemima needs a little more preparation before every transition.   In general, her canter work is better with more relaxation.  Keenly aware of her surroundings, one of the hardest parts of a dressage test for Jemima is anything on a long rein.  She won’t run off, but rather than stretch and reach for the bit, Jemima enjoys the opportunity to lift her head and look at the scenery.   It’s nice scenery, so I don’t hold that against her.

Jemima is improving every ride and I’m thoroughly enjoying her!

Tea Party Heretic, I am, I am

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It was a great honor to speak at the Tax Day rally in Virginia City, Montana, on April 15th.   Despite the conventional press savaging Tea Party people, depicting them as racist haters, I find Tea Party people to be reasonable, respectful, straight talkers, who are concerned about bettering our country for all of its citizens.

If you’d like to read my speech, it’s posted on line at my personal website.    http://www.bettystaley.com/gpage.html

The local press (who seem to be committed to reportage, than spreading propaganda like the national press corps) reports of this event are also included at my web site.

Straightalking signs on the back of a friend at a Tea Party in Northern Montana

Straight talking signs at another Tea Party in Northern Montana.

A cheerful protestor. Threat? More like a committment.

Wardrobe with What Purpose?

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Having studied horsemanship for a few (plus) years, it seems I’m perceived as having reached the age of “wisdom.”    Hmmmm…   I’m not sure about that, but maybe that’s wisdom, since I’ve made enough mistakes to know I don’t have all the answers.   In any case, people write to me and ask questions.   I’ll post the questions that come up regularly, or are simply interesting concepts to discuss.    Feel free to comment.   This is really intended to be a discussion page.

Q: Is the drop noseband a wardrobe issue?  Or, is there a purpose/function  that makes sense if you have the horse giving you a soft feel?

A. It depends on who you talk to.  Some English riders will say that a drop noseband helps keep the snaffle bit in place; that it steadies the bit and helps horses hold the bit in their mouth, keeping the tongue under the bit.   As a temporary explanation, to provide clarity to the horse, that’s decent logic.  It’s akin to temporarily tying the bit up on a green horse in a Western bridle (photo below).

A rudimentary example of tying the bit up in a Western bridle. This is a temporary fix. It's used when young horses are overly distracted by the bit, and to encourage them to keep the tongue under the bit.

The key difference between the Western and English application is the word, “temporary.”   A drop noseband usually isn’t temporary, because a drop noseband also keeps the horse’s mouth closed.   In many instances, horses wearing drop nosebands still have pursed lips, strain against the rider’s hands, and the horse’s mouth is open as far as they can get it.   The drop noseband adds leverage.   When you see a drop noseband, notice how tight the noseband is buckled.  Ultimately, if the horse understands what the bit means and knows how to give to the bit, there is no need to add a noseband.

To show in dressage (and prepare to show), my horses wear a caveson, because a caveson is required (a drop noseband is optional).  I also have a show bridle that came with a matching drop noseband (photo below).  I bought this bridle because I like the look of it for showing.  I buckle the caveson (or noseband) so that it does not flop around, but no tighter.  Cavesons and nosebands look nice, in a finished, military sort of way.  It is a tradition, and a style.

On a personal note: a few years back, a dressage instructor came up to me, put his fingers under my horse’s loosely buckled caveson, and tartly asked, “What’s this… decoration?”   I smiled and said, “Yes.”  This convivial fellow burst out laughing, “Well, your horses don’t need one!”   That was refreshing.   At least he asked and he didn’t presume to change my tack.  (I’ve also provoked the opposite response from dressage instructors.) 

Ruby in a drop noseband, 4 years old, 2006. Betty riding. Bonnie Cazier photo (cropped).

That tells me what most nosebands are about; it’s another means of bending the horse’s will to our will.   But, before I sound too critical, I will also state: my bit is made of steel and I don’t think riding in a halter is more humane.   The usefulness and tact of all equine head gear depends on the skill, the hands, and the heart of the rider.

It’s good that riders are interested in the reasons behind tack design and application.  Questioning the purpose is always beneficial.  I’m honored that this rider asked my opinion.  

Feel free to comment.  If you want to send me a question or comment (and wish to remain anonymous), you can also send e-mail through my website.   http://www.bettystaley.com

Courage to Leave the Comfort Zone

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"The Soft Feel," article and photos by Par Karlberg

Stepping out of one’s “comfort zone” takes courage.  World wide, riders are all working with the same animal species.  With the horse as a common denominator, no matter what country of origin, shouldn’t riders be more similar, than dissimilar?   Yet, even among horsemen (and women), in the same nation, there are cultural divides that can be difficult to bridge.   Facing the challenge of cultural understanding (or misunderstanding) requires personal risk.   My hat is off to Swedish Rider Par Karlberg.   Riding a horse on loan from Pete and Sharon Melniker, Par rode in the Buck Brannaman clinic, in Bozeman, Montana.   Par wrote about his experience in an article, titled, “The Soft Feel,” published by the Swedish horse magazine, Hastfocus.

Buck Brannaman is the focus of Par’s article.   My horse, “Jemima,” as a four year old filly, appears in one photograph.  

The article begins (rough translation by me), “Untie your ropes and let’s throw some heelshots!  Buck’s instruction makes me a little nervous.  I have never been especially good at throwing the lasso and I’m distinctly different from the others, who seem more or less to have grown up in the saddle with the lasso.” 

“I am in Bozeman, Montana in the middle of a Buck Brannaman clinic, surrounded by fellow riders, who all look like they come directly from the nearest ranch…   I’m right where I want to be.”  (end quote)

Photo closeup of Nancy Fetter's authentic Vaquero style.My friend Nancy Fetters also appears in the article (photo right).   Par comments on her traditional Vaquero style of dress and equipment.   At the other end of the spectrum, Par notes my English tack.  He comments, “Betty lives in Montana, but rides dressage … She bases all her riding on Buck’s instructions.”  Par also asked me about the conflict between dressage and this Western style of horsemanship.

Par’s question about “conflict” surprised me.   Should there be a conflict?   Based on what?   And, why?   Par’s question also brought back memories of wrestling  within myself and between the two cultures.  His question also made me aware of how much my expectations and approach to horses has changed.      

While my interest in dressage may be an anomoly among the lassos (and my lassos strange in the land of dressage), for me there is no longer any conflict over philosophy.   My understanding of dressage is enhanced by what Buck teaches and studying dressage makes my horses better to rope on.  I still have much to learn, but my horses and I benefit from both cultures.   What could be better than that?

Four year old filly Jemima, ridden by Betty Staley.